Deputy director & Senior Research Software Analyst
Paul Caton has worked in digital humanities since 1997. After posts in the United States, Ireland, and Canada, he joined King's Centre for Computing in the Humanities as a Research Associate in 2010 and later, with other members of the production team, helped form King's Digital Lab in 2015. His research interests include requirements specification and software models.
Projects
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Knowledge Orders before Modernity
History, University of Kent, King's College, London
2024–2032
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British Printed Images to 1700: Integrating Visual Sources into Historical Practice BPI 1700
Newcastle University
2023–2025
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Georgian Papers Programme
Royal Household
2018–2025
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BCC: Brightening the Covenant Chain
University of Birmingham
2021–2025
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Alice Thornton digital edition
University of Edinburgh
2021–2025
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Henslowe-Alleyn Digitisation Project
University of Reading
2004–2022
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Shakespeare Holdings in the Royal Collection SHARC
English, King's College, London, Birkbeck
2018–2022
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Renaissance Skin - Visible Skin Visible Skin
FAH Department of History, Faculty of Arts and Humanities, Wiedemann Lampe, FAH King's Culture, Faculty of Arts and Humanities
2021–2022
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Language Acts and Worldmaking OWRI
Languages, Literatures and Cultures, King's College, London
2016–2021
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The Community of the Realm in Scotland, 1249-1424 COTR
History, King's College, London
2017–2021
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Nineteenth-Century Serials Edition
English, Birkbeck, University of Leeds, King's College, London
2017–2021
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Archetype
FAH Department of Digital Humanities, Faculty of Arts and Humanities
2017–2021
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The Values of French Language and Literature in the European Middle Ages TVOF
Languages, Literatures and Cultures, King's College, London
2015–2021
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The Redress of the Past: Historical Pageants in Britain
History, King's College, London, University of Edinburgh
2013–2020
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Mao Era in Objects MAO
History, Oxford University, King's College, London
2018–2020
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Illustrating Impact
KCL The Policy Institute, Faculty of Social Science & Public Policy, Entrepreneurship Institute, Health School, Time Partners Ltd, Alter Equity, GO Lab, Oxford University, King's Business School, Faculty of Social Science & Public Policy
2018–2019
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Mozart and Material Culture MOZARTMC
Digital Humanities, Music, King's College, London
2017–2019
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Renaissance Skin RENSKIN
FAH Department of History, Faculty of Arts and Humanities
2017
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Ancient Inscriptions of the Northern Black Sea IOSPE
Classics, King's College, London
2011–2017
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Prosopography of the Byzantine World PBW
Classics, King's College, London
2000–2016
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Digital Resource and Database for Palaeography, Manuscript Studies and Diplomatic
Digital Humanities, King's College, London
2010–2014
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Henry III Fine Rolls
History, Digital Humanities, King's College, London
2008–2011
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Paradox of Medieval Scotland POMS
History, King's College, London
2007–2010
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Clergy of the Church of England Database Project CCED
History, King's College, London
1999–2009
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The AHRC Research Centre for the History and Analysis of Recorded Music CHARM
Music, Royal Holloway University London, King's College, London
2004–2009
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Language of Landscape Langscape
History, King's College, London
2004–2008