Senior Research Software UI/UX Designer
Tiffany is a designer with a background in textiles who has worked in the field of journalism, fashion, marketing, advertising. After completing an MA at the Royal College of Art and entered digital design unsure if she was ready to give up the tactile aspect but soon was deeply engaged with the ever evolving vibrant community. Once she started integrating design with code, along with the complexity of content and diversity of human interactions, it brought about even more interest and exploration. Her current interest is data visualisation, experimenting to improve clarity, curiosity and engagement using geometric shapes.
See her personal website which includes her contribution to KDL projects and further information.
Projects
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STEP-UP: a Strategic TEchnical Platform for University technical Professionals
King's Digital Lab, e-Research, King's College, London, Imperial College London, University College London
2024–2027
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Intelligent Systems for Screen Archives
Digital Humanities, King's College, London
2025–2027
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CROSSREADS: Text, materiality, and multiculturalism at the crossroads of the ancient Mediterranea
Oxford University
2020–2026
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Sculpting Time with Computers - Proof of Concept
Engineering, Digital Humanities, King's College, London
2024–2025
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AGE-C: Ageing and Gender in European Cinema
Film Studies, Universitatea Babeș-Bolyai, Università degli Studi di Udine, King's College, London, Goethe-Universität, Université Sorbonne Nouvelle
2025
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Georgian Papers Programme
Royal Household
2018–2025
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BCC: Brightening the Covenant Chain
University of Birmingham
2021–2025
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Alice Thornton digital edition
University of Edinburgh
2021–2025
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King's Past
History, King's College, London
2023–2025
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iREAL: Inclusive Requirements Elicitation for AI in Libraries to support respectful management of Indigenous knowledges iREAL
King's Digital Lab, University of Technology Sydney, University of Glasgow, King's College, London, Digital Preservation Coalition
2024
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Living with Machines
Digital Humanities, Alan Turing Institute, King's College, London, British Library, Queen Mary University
2023–2024
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Radical Translations: The Transfer of Revolutionary Culture between Britain, France and Italy Radical Translations
Languages, Literatures and Cultures, King's College, London
2019–2024
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Farm-level Interdisciplinary Approaches to Endemic Livestock Disease FIELD
History, King's College, London, University of Lincoln
2018–2023
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REF 2021 impact data analysis
KCL Research Management & Innovation Directorate, King's Digital Lab
2022
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Henslowe-Alleyn Digitisation Project
University of Reading
2004–2022
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Shakespeare Holdings in the Royal Collection SHARC
English, King's College, London, Birkbeck
2018–2022
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Renaissance Skin - Visible Skin Visible Skin
FAH Department of History, Faculty of Arts and Humanities, Wiedemann Lampe, FAH King's Culture, Faculty of Arts and Humanities
2021–2022
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Nineteenth-Century Serials Edition
English, Birkbeck, University of Leeds, King's College, London
2017–2021
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Mao Era in Objects MAO
History, Oxford University, King's College, London
2018–2020
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Illustrating Impact
KCL The Policy Institute, Faculty of Social Science & Public Policy, Entrepreneurship Institute, Health School, Time Partners Ltd, Alter Equity, GO Lab, Oxford University, King's Business School, Faculty of Social Science & Public Policy
2018–2019
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Mozart and Material Culture MOZARTMC
Digital Humanities, Music, King's College, London
2017–2019
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CultureCase: putting research to work
Culture, King's College, London
2018–2019
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Renaissance Skin RENSKIN
FAH Department of History, Faculty of Arts and Humanities
2017
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German Screen Studies Network GSSN
FAH Department of Film Studies, Faculty of Arts and Humanities
2016
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Paradox of Medieval Scotland POMS
History, King's College, London
2007–2010